摘要
战争题材的电影往往以男性为叙述角度来正面描述战争的残酷性和毁灭性,而对文学作品进行电影叙事改编时也大都会渲染环境效果,突出战争的血腥。如以战争电影中女性的叙事视角为出发点,重新看待战争中柔弱的女性人物形象以及女性灵魂中的家国情怀,将能更深入地探讨电影叙事学中女性人物"灵"与"肉"的冲突或统一。
The war films always describe the cruelty and ruin of war directly from the male perspective. And those war films adapted from literature stories tend to exaggerate tragic atmosphere and focus on the blood of war as well. If we analyze the tender female images and patriotism in their souls during the war from female narrative perspective,the combination and conflict between spirit and sensual body concentrated in female will be better studied.
作者
姚婷婷
YAO Ting-ting(Basic Teaching Department of Wanjiang University of Technology,Maanshan,Anhui 243000)
出处
《怀化学院学报》
2019年第3期91-93,共3页
Journal of Huaihua University
关键词
战争电影
叙述视角
女性形象
war film
narrative perspective
female image