摘要
影片《盗梦空间》运用非自然的时间、非自然的空间和不可能的故事世界的非自然叙事表达方式,剖析做梦者正常进入梦境和处于极度安稳的沉睡状态下进入梦境时的不同的非自然时间表现,描绘意识的外部物化、不可能的地理位置转换及不同故事世界间的融合,展示主人公构建的内心世界和对目标人物植入意念的不可能性。这三种非自然叙事表达方式的运用,不仅有利于影片更好地塑造情节、突出主题、阐释内涵,而且还增强了电影本身的陌生化效果和新奇性,引发了人们对欲望、情感、道德价值的重新思考。
By using the unnatural narrative expressions of unnatural time, space and story world in Inception , this paper analyzes different performances of dreamers who enter the dream world in a stable state and in an extremely stable state. Then it depicts the external materialization of inner consciousness, the impossible geographical transformation and the fusion of different story worlds. Lastly, it shows the impossibility of the inner world built up by protagonists and the impossibility of planting ideas in the subject. These three unnatural narrative expressions used in Inception can not only well shape the plot, highlight the theme and explain the connotation, but also enhance the defamiliarization and novelty of the film, thus helping people rethink the desire, emotion and moral value.
作者
姜慧
马玉凤
JIANG Hui;MA Yufeng(College of Foreign Studies, Liaoning University, Shenyang 110000,China)
出处
《厦门理工学院学报》
2019年第2期27-31,共5页
Journal of Xiamen University of Technology
