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美学空间的拓展与审美理论话语的增长——评史修永《现代焦虑体验的美学研究》

The Expansion of Aesthetic Space and the Growth of Aesthetic Theoretical Discourse——Comment on Shi Xiuyong's Aesthetic Study on the Modern Anxious Experience
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摘要 史修永教授的新作《现代焦虑体验的美学研究》以"焦虑体验"为核心,将焦虑置于现代文化的转型框架中,讨论焦虑审美理论话语和表意实践的发展脉络与审美特性。该著是国内首部美学视角对焦虑体验进行专门、系统研究的专著,填补了美学领域焦虑问题研究的不足,拓展了当代美学研究的空间。 Professor Shi Xiuyong’s new work Aesthetic Study on the Modern Anxious Experience takes “Anxious Experience” as the core, places anxiety in the transition framework of the modern culture, and then discusses the development vein and aesthetic characters for the theoretical discourse of anxiety and ideographic practice. The work is the first monograph in China to conduct specialized and systematic research on anxious experience, which fills the gap in the research of anxieties in the aesthetic field and expands the space of modern aesthetics research.
作者 房存 FANG Cun(School of Chinese Language and Literature, Nanjing Normal University, Nanjing Jiangsu,210097, China)
出处 《河北民族师范学院学报》 2019年第2期119-124,共6页 Journal of Hebei Normal University For Nationalities
关键词 现代性 焦虑体验 美学 modernity anxious experience aesthetics
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