摘要
本雅明注重在微小而琐碎的现代生活中捕捉现代性城市中的流动时光与生活细节。他通过对拱廊街上游荡的游手好闲者、拾垃圾者和妓女等形象的关注,缔造了资本主义商业大都市中流动、奇幻和充满活力的"蒙太奇"碎片景观。通过把日常生活的碎片景观以寓言的方式展示出来,本雅明实现了现代性废墟上的审美救赎。
Benjamin pays attention to capturing the flowing time and details of life from trivial modern life in modern cities,and creates the flowing,fantastic and vibrant "montage" fragmentary landscape in capitalist commercial metropolis by focusing on the image of loafers,garbage collectors and prostitutes roaming the arcade.Benjamin accomplishes the aesthetic redemption of the ruins of modernity by displaying the fragmentary landscape of daily life in a fable way.
出处
《上海文化》
CSSCI
2019年第4期56-62,125,共8页
Shanghai Culture
基金
国家社科基金项目"齐美尔与法兰克福学派文艺理论的关联研究"(项目号:10CZW007)的阶段性成果
