摘要
本文以上海市虹口区广中路街道何家宅小区公共艺术活动从社区到艺术馆的场所转换为例,追踪转换过程中公共艺术的在地性和展示性特征,并探讨公共艺术进入艺术殿堂后,其展览形式和社会价值所发生的变化,这也促进了传统艺术殿堂空间的更新和转型。
Taking the place conversion of public art activities from community space to art palace exhibition space of Hejiazhai Residential District, Guangzhong Road, Hongkou District, Shanghai as an example, this paper tries to trace the character of site-specificity & exhibitability of public art. It also explores the changes of exhibition form and social value after public art enters the art palace, which also promotes the renewal and transformation of the traditional art space.
作者
程雪松
赵璐琦
Cheng Xuesong;Zhao Luqi
出处
《公共艺术》
2019年第2期58-65,共8页
Public Art
关键词
社区空间
艺术殿堂
“最后一公里”公共艺术
场所转换
在地性
展示性
Community Space
Art Palace
"PublicArt Links the Last Mile"
place conversion
Sitespecificity
Exhibitability