“关系”的基础与“情动”的意指:再论《关系美学》与公共艺术的情动转向

The Foundation of “Relation” and The Reference of “Affection”: Another Insight into Relational Aesthetics and The Affective Turn of The Public Art

尼古拉斯·伯瑞奥德的《关系美学》考察了20世纪90年代兴起的以"关系"为创作中心的关系艺术实践。该书不仅从当代资本主义社会问题情境出发,讨论关系艺术的伦理诉求,还从本体论层面对关系的形式展开分析,确立关系美学"关系"的基础。我们通过对关系美学"关系"的基础进行本体论考察后会发现,关系美学还隐含着一种"情动"的意指。这意味着,关系艺术实践本身也预示了公共艺术的"情动转向"。

Nicolas Bourriaud's Relational Aesthetics explores the relational art movement in the 1990s. The book investigates the ethic dimension of relation from a series of issues related to Capitalist, and meanwhile it does a formal analysis based on the notion of relation in an ontological sense, and establishes the foundation of relation. Through an exploration of the relation, this paper points out an affective significance of relational aesthetics which alludes to an affective turn ofpublic art.