摘要
在《K氏零度》中,唐·德里罗探索了当代美国社会生活如何被物化为一道消费景观,以及如何以日常生活的切身体验抵制景观权力。景观社会借助无所不在的媒介影像隐秘地操纵着人们的价值取向和行为方式。当人们沉迷于景观社会的幻影时,德里罗把目光转向日常生活的点点滴滴。小说主人公竭力从日常生活的具身体验中,获得最本真的生命体验,以此抵御景观社会所造成的种种去身体化后果。
In Zero K, Don DeLillo describes life collapsing into spectacle within contemporary American culture, and relatedly, probes the possibility of resisting spectacular power through embodied everyday experience. Through a surfeit of images, the spectacular covertly manipulates modes of living. Amidst mass obsession with the imagistic spectacular, DeLillo turns instead to the minor and the quotidian. The protagonist of Zero K both seeks an embodied life and resists the disembodiment proffered by a society structured by the spectacle.
作者
孙杰娜
Sun Jiena(English at Wuhan University)
出处
《当代外国文学》
CSSCI
北大核心
2019年第1期35-41,共7页
Contemporary Foreign Literature
基金
国家社科基金青年项目"美国当代作家--医生界别研究"(14CWW009)
