摘要
超现实主义是20世纪最著名的现代艺术流派之一,兼具理论性、艺术形式双重创新和突破等特点。文章以现代美学为切入点,从精神分析美学入手,论述雕塑创作与“无意识”的关系,分析了艺术作品的非具象形式语言,后结合艺术创作观念、审美观念、社会性意识三方面研究超现实主义雕塑的现代性特征。
Surrealism was one of the famous artistic schools in the 20 th century. It was a breakthrough in terms of theory and artistic forms. Taking modern aesthetics as the viewpoint,the relation between sculpture creation and “unconsciousness” is discussed. The abstract form of language in the artistic works is analyzed. Modern features are discussed from the aspects of artistic creation concept,aesthetic concepts,and social consciousness.
作者
李继成
LI Ji-cheng(Putian College,Putian 351100,China)
出处
《哈尔滨学院学报》
2019年第5期95-97,共3页
Journal of Harbin University
关键词
超现实主义
雕塑
无意识
审美
surrealism
sculpture
unconsciousness
aesthetics