摘要
玛格丽特·杜拉斯与玛格丽特·阿特伍德在20世纪的世界文坛具有重大影响。虽然两人的创作起步在"生态女性主义理论"成型之前,而且两位作家的创作时段、创作风格、创作语言不同,但两人的人生际遇和创作主题暗合于"生态女性主义"要义。她们亲近自然,认为女性与自然有天然的亲密关系,批判男权对女性和自然的"侵犯",作品中流露出女性对于"性别"失衡的痛苦,呼吁性别平等和生态平衡。从生态女性主义视角观照两位作家的创作,能够发现两位作家的创作相似性,同时也有益于对生态女性主义理论的发展进行理性思考。
Marguerite Duras and Margaret Atwood have great influence on the world’s literature in the 20 th century. Although their creations started before the formation of the eco-feminist theory, and their creative periods, creative styles and creative languages were different, the two writers’ life experiences and creative themes were implicitly coincided with the main ideas of eco-feminism. Both of them believe that women have a naturally intimate relationship with nature, and they criticize the male’s "invasion" of women and nature. Their works reveal women’s pain in the "gender" imbalance and call for gender equality and ecological balance. Observing their works from the perspective of eco-feminism,we can find out the similarities between the two writers’ creations which is also beneficial for the development of eco-feminism theory.
作者
肖凌
Xiao Ling(College of Western Languages, Harbin Normal University, Harbin 150025)
出处
《华中师范大学学报(人文社会科学版)》
CSSCI
北大核心
2019年第3期115-120,共6页
Journal of Central China Normal University:Humanities and Social Sciences
基金
黑龙江省哲学社会科学研究规划项目"爱丽丝.门罗与玛格丽特.阿特伍德之生态女性主义比较研究"(15WWC03)