摘要
澳门的环境戏剧早在其本地话剧诞生之初已开始出现,此后沿着本土剧场的形式形成独特的戏剧样式,称为环境剧场。澳门剧场的环境性,既是指其地域因素,同时也包含社会人文意义。城市意识和历史文化意识是澳门环境剧场的显在和潜在推动因素,而这两种因素又得以通过剧场和环境的交互实现其艺术的融合。同时,就澳门环境剧场的发展过程来看,它是呈开放式和发展性的,并在其与"他者"的审视与交融中实现环境戏剧的成熟向度,显示了澳门环境戏剧新的可能性。
The environmental drama in Macao began to appear as early as the birth of its native drama, and then generated a unique theatre style along the form of the local theatre, thus being called environmental theatre. The environmental feature of Macao theatre not only refers to its regional factors, but also contains social and humanistic significance. The city consciousness and historical-cultural consciousness are the explicit and potential driving factors to Macao environmental theatre, which can achieve the integration of art through the interaction between theatre and environment. At the same time, the development process of Macao environmental theatre is open and developme ntal. It becomes mature in the exami nation and blending with the "other", indicating its new possibility.
出处
《戏剧(中央戏剧学院学报)》
CSSCI
北大核心
2019年第2期100-110,共11页
Drama:The Journal of the Central Academy of Drama
关键词
环境戏剧
环境剧场
城市意识
历史文化
他者
environmental drama
environmental theatre
city consciousness
historical culture
the other