民俗艺术活态传承的可能性——以湖州石淙蚕花为例

The Possibility of Living Inheritance of Folk Art: Taking Huzhou Shicong Silkworm Flower as an Example

目前,作为非物质文化遗产大阵地的民俗艺术得到了社会各界的关注,民俗艺术活态传承的可能性也成为学界热议的课题。随着现代性的思想观念到来,一方面,现代性否定传统,另一方面,现代性又为传统的继承提供契机,现代社会一切传统文化、民俗艺术的价值都被重新定义。在现代性的话语下,讨论关于民俗艺术功能的现代转换问题。浙江湖州石淙蚕花在满足现代社会中人们日趋丰富的需求的同时,生生不息地进行着活态传承,为阐述现代性文化逻辑下民俗艺术的功能转换与价值转向,提供了一个较为典型的案例。

At present, folk art as an important intangible cultural heritage has received attention from all walks of life, and the possibility of the inheritance of folk art has become a hot topic in academic circles. Modernity provides an opportunity for the inheritance of tradition despite its seemingly thoroughgoing negation of it. The value of all traditional culture and folk art in modern society has been redefined. In the context of modernity, this paper discusses the issue of modern transformation of the functions of folk art. In modern society, the silkworm flowers in Huzhou, Zhejiang Province are constantly carrying on living inheritance while responding to people's increasingly needs for diversity and high quality. It provides a typical case for expounding the functional transformation and value turn of folk art according to the logic of modern culture.