宋代文人视域中元结的三重身份——以诗文中与人并举为观照点

Triple Identity of Yuan Jie from the Perspective of Literati in Song Dynasty: Observation of the Coordination with Yuan Jie and Other People in Poetry

以诗文中将元结与他人并举作为观照点,恰可洞见宋代文人对元结之"事"与"调"的体认,也可管窥宋代文人对元结的接受。宋代文人将元结与嵇康、王子猷、陆龟蒙等并举,让元结的"漫"有了更为凿实的意义。同时,屡次将元结与逋客、退士、陶渊明、张志和等并举,进一步确立了元结的隐者身份。北宋文人鲜少提及"元道州",南宋文人则热衷于表彰作为良吏的元结,多次将元结与阳城并举。在宋代文人视域中,元结至少兼具漫家、隐者、良吏三重身份。

If taking observation of the coordination with Yuan Jie and other people in poetry,we can insight Yuan Jie’s “deeds” and “character” in literati of the Song Dynasty,and have a restricted view of the acception of Yuan Jie in the Song Dynasty.The literati in the Song Dynasty often put Yuan Jie and Ji Kang,Wang Ziyou,Lu Guimeng together,which gives some specific meanings of “self-indulgence”.On the other hand,they put Yuan Jie and Tao Yuanming,Zhang Zhihe together,which establishes the anchoretic identity of Yuan Jie.Literati of the northern Song Dynasty scarcely focus on “Yuan Daozhou”,but in Southern Song Dynasty,the literati are keen to reveal Yuan Jie as an official taking care of the people,and put Yuan Jie and Yang Cheng together.The literati of the Song Dynasty regard Yuan Jie as an artist with self-indulgence,an anchoret,and an official taking care of the people.