扬州画派美学思想对扬州剪纸的影响

Influence of the Aesthetic Thought of Yangzhou School of Painting on Yangzhou Paper-cut

扬州剪纸是我国南方剪纸艺术的杰出代表,其历史悠久,风格清秀典雅,有着"平看条条线,提起成一片"的赞誉。扬州画派是清代康乾年间活动于扬州画坛革新派画家的总称,是文人画家的代表,其作品抒发真情实感,将诗书画印融为一炉,其美学思想对后世产生了深远的影响。审视扬州剪纸,从其作品中能看到中国文人画的影子。两者同属扬州,有必要深入探究扬州画派的美学思想对扬州剪纸创作形成的深远影响。

Yangzhou paper-cut is an outstanding representative of southern China’s paper-cut art.It has a long history,elegant style,and has the praise of “looking at the lines flat and lifting them into one piece”.Yangzhou painting school is the general name of the renovation artists who lived in Yangzhou during the reign of Kangxi and Qianlong in the Qing Dynasty.It is the representative of literati painters.Its works express true feelings and integrate poetry,calligraphy and painting into one furnace.Its aesthetic ideas have a profound impact on later generations.Looking at Yangzhou paper-cut,we can see the shadow of Chinese literati painting from its works.As the both belong to Yangzhou,it is necessary to probe into the profound influence of Yangzhou School’s aesthetic thought on the formation of Yangzhou paper-cut creation.