摘要
淄博彩绘青花鱼纹盘最早可追溯到明代,清代中晚期正式形成富有地方特色的彩绘鱼纹造型,到清末民初制作技艺发展成熟并大量生产,作为民间日常使用品广为流行。简约的线条、富有韵律的造型以及丰富的意蕴,在长期的淄博地方社会生活中,共同凝结为当地窑工及民众独特的民俗审美特质。淄博彩绘青花鱼纹盘制作不乏精品,业已成为地方社会的民俗标志与文化载体。
The painted plates with blue and white fish pattern in Zibo,Shandong Province,can be traced back to as early as the Ming Dynasty.They officially appeared with local characteristics in the late Qing Dynasty.By the end of the Qing Dynasty and the early Republic of China,the producing technology has developed into maturity,and the painted plates were produced in large quantities,which were widely used as folk daily products.The concise lines and rhythmical appearance as well as the deep implications of this art have been recognized as folk aesthetic characteristics by both kilnmen and common people in such a long development process.In nowadays,the painted plates with blue and white fish pattern have become a symbol of folk custom and a carrier of culture in Zibo City including a large volume of boutique.
出处
《民俗研究》
CSSCI
北大核心
2019年第3期115-117,159,共4页
Folklore Studies
关键词
青花鱼纹盘
民间
审美特质
the painted plates with blue and white fish pattern
folk custom
aesthetic characteristics