摘要
在1980年代的影视作品中,湘西土匪作为其表现对象,有历史的渊源,"蛮"可视为"湘西土匪"的原型。经济全球化时代,影视作品中的湘西土匪被建构为"被排除者"。不同社会语境里的影视作品中的湘西土匪形象,成了观察和理解社会转型、时代变迁的重要媒介和通道。
It has the historical origin that the bandits in western Hunan are treated as the performance objects in the film and television since 1980s.In the era of globalization of the new century,bandits in western Hunan are constructed as the excluded in the film and television.The interpretation of the image of bandits in western Hunan in the film and television in various social contexts has become an important media and channel to observe and understand the social transformation and the changes of the time.
作者
王萍
雷磊
WANG Ping;LEI Lei(College of Literature and Journalism,Xiangtan University,Xiangtan,Hunan 411105,China)
出处
《湘潭大学学报(哲学社会科学版)》
CSSCI
北大核心
2019年第3期145-147,共3页
Journal of Xiangtan University:Philosophy And Social Sciences
基金
湖南省研究生科研创新项目"新时期影视剧中的湘西形象研究"(CX2013B250)
关键词
影视作品
湘西土匪
“蛮”
落后者
被排除者
film and television
bandits in western Hunan
Man
laggard
the excluded