论毕飞宇的语言艺术与叙事文本的联系——以《推拿》为例

Study on the Connection Between the Language Arts and Narrative Texts of Bi Feiyu——Take Blind Massage for Example

在《推拿》荣获第八届“矛盾文学奖”之后,很多人专注于研究其盲人形象、研究其作品主题,并深入探索其内涵,却鲜有人研究其作品表现张力背后的基础及“动力机”——语言。论文着力探讨毕飞宇在《推拿》中语言艺术与叙事文本的联系,并探析作者是如何透过字词活跃读者的想象力,完成使读者认识盲人,了解盲人,与盲人一起“生活”的文学活动的。

Literature is an art of borrowing words to activate imagination. A good literary work can’t do without word building and the decoration of language art. After Blind Massage winning the eighth Mao Dun prize for literature, many people focus on the image of the blind and the theme of work, and explore the connotation. But few people have studied the basis and power machine behind the tension of the work, which is language. This article focuses on the connection between the language arts and narrative texts of Bi Feiyu’s Blind Massage, and discovers how the author can activate the imagination of the readers through words to completing the literary activity that enable readers to understand the blind, and live eith the blind.