摘要
"攀枝花诗群"作为一种地域诗歌现象,其命名和由来承载了地域风情、历史风尘和时代风貌,百里钢城、移民身份和攀西风物的熏染铸就了它"钢铁"激越、"乡愁"情怀、风物传奇等内涵特质,成为攀枝花这座移民城市的精神之光。而在转型背景下,新一代攀枝花诗人群体的创作心理转变,促使"攀枝花诗群"创作呈现出"大我"与"小我"的和谐共生、地理身份淡化、性别书写突显的转向。
"Panzhihua poet group", as a kind of regional poetic phenomenon in Panzhihua, its name and origination reflects regional customs, historical traditions and modern glory. Being the city of steel spanning a hundred miles, its identity of immigrants and sceneries in Panxi region forged its connotative characteristics: the passion of "iron and steel","nostalgia" feelings and western legends constitute the spiritual light of this immigrant city. However, in the context of social transformation, transformation of psychology in artistic creation enables the poet groups in Panzhihua and its works to present a harmonious co-existence between personal characteristics and collective features, a dilution of geographical identities and a prominence of gender writing.
作者
王发奎
WANG Fakui(Panzhihua University,Panzhihua 617000,Sichuan)
出处
《攀枝花学院学报》
2019年第3期14-18,共5页
Journal of Panzhihua University
基金
攀枝花学院社科联课题“命名和建构:地域文化视阈下的‘攀枝花诗群’研究”(2017SYB13)研究成果
关键词
"攀枝花诗群"
"钢铁"激越
"乡愁"情怀
地域特征
写作转向
"Panzhihua poet group"
the passion of "iron and steel"
"nostalgia" feelings
regional features
transformation of writing style