格非“江南三部曲”的反乌托邦书写

The Anti-Utopia Writing of Ge Fei’s “Jiangnan Trilogy”

20世纪八九十年代,中国处在一个商业主义弥漫的语境中,物质文化的勃兴使一直处于潜在的、被压抑的实利主义价值观不断上升,并对启蒙主义这种具有理想主义乌托邦色彩的文化背景构成巨大的解构和挑战。格非的"江南三部曲"既是乌托邦小说,也是反乌托邦小说,因此被称为"反乌托邦的乌托邦"。本文立足"江南三部曲"的反乌托邦书写,在精神分析法、社会历史批评和叙事学的研究背景下展开,深刻呈现乌托邦解构的深层内核--不完美的人和不完美的世界,并进一步探寻乌托邦重构的可能性。

In the 1980s and 1990s, China was in a pervasive context of commercialism. The prosperity of material culture resulted in the rising of potential and suppressed values of utilitarianism, which posed a huge deconstruction and challenge to the cultural background of Enlightenment with idealistic utopia. Ge Fei's "Jiangnan Trilogy" is not only a Utopian novel, but also an anti-Utopian novel, so it is called "anti-Utopian Utopia".This paper starts with the research background of psychoanalysis, social historical criticism and narratology on the basis of anti-utopian writing of the "Jiangnan Trilogy", and profoundly presents the deep core of the deconstruction of utopia-imperfect people and imperfect world, And further explore the possibility of reconstructing Utopia.