多元文化语境下徽州木雕色彩的重拾与发展取向

The Revival and Development Orientation of Huizhou Woodcarving Color under Multicultural Context

传统徽州木雕历经上千年的洗礼,从以"色彩为上"到以"笔墨为上"再到近现代的重拾色彩,色彩成为改革徽州木雕的突破口,逐渐以主流的形式融入徽州木雕创作,拓宽了徽州木雕的表现空间,也丰富了笔墨的表现形式。在多元文化语境下的当代乃至未来,徽州木雕要根植于优秀的民族传统文化,科学地借鉴、吸收其他艺术文化,创造性地发挥中国色彩的意象性特征,表达时代多元化、个性化、抽象化的审美效果,展现中国艺术精神。

After thousands of years of baptism, traditional Huizhou woodcarving has undergone through several stages including “color above everything”,“writing above everything” and the revival of color in modern times. Color has become a breakthrough in the reform of Huizhou woodcarving and gradually integrated into woodcarving creation, which widens the expressive space of Huizhou woodcarving and enriches expressive form of writing. Under the multicultural context of modern and even the future, Huizhou woodcarving should be rooted in excellent Chinese traditional culture, scientifically draw lessons from other artistic cultures, creatively display the image features of Chinese colors, express the diversified, personalized and abstract aesthetic effects of times, and show the spirit of Chinese art.