殖民语境下女性文化身份建构与文学表达——以伪满洲国女作家但娣的创作为中心

Female Cultural Identity Construction and Literary Expression in the Colonial Context——Focusing on Dan Di’s Creation in the Period of the Puppet Manchukuo

从1931年"九一八"事变到1945年8月17日溥仪退位,日本殖民者对中国东北地区进行了长达十四年的殖民统治。由于殖民文化情境是通过干预作家来干预文学的,因此作为中介的作家,其文学姿态和文学选择就成为研究伪满洲国文学的重要切入点。伪满时期著名女作家但娣具有受殖者、留日学生、新文学作家等多重文化身份,她的作品呈现出殖民地女性知识分子独特的生命体验和文学姿态。但娣将民族知识分子和女性书写者两种文化身份结合起来,她的小说真实地表现出被殖民者在异态时空中的生命状态与心理状态。

From the "September 18th" Incident in 1931 to the abdication of Puyi on August 17, 1945, Japanese colonists carried out 14 years of colonial rule over Northeast China.Since the literature was intervened by the colonial cultural situation through intervening the writers, as the intermediary organ, the writers' literary attitudes and literary selections become the significant research point for the literature of the period of the puppet Manchukuo.Dan Di, a famous female writer in the period of the puppet Manchukuo, possessed multiple identities such as the colonized, the international student studying in Japan and the new literature writer.Her works present the unique life experience and literary attitude of the female intellectuals in the colony.Combining the two cultural identities of the national intellectual and female writer, Dan Di truly revealed the life condition and psychological state of the colonized in the abnormal time and space in her novels.