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中国书法与“道说”——基于海德格尔诗学思想和语言观的相关考量

Chinese Calligraphy and “Sagen”: Thoughts Based on Heidegger's Poetics and Views of Language
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摘要 中国书法家的"道说"用独有的汉字语言开启存在者存在无蔽之真理,海德格尔对荷尔德林诗歌的阐释和后期关于语言的观点为我们言说书法的道说提供独到方式的思考。书法中的道说需要我们倾听思的召唤,是一种不同于传统审美言说的态度。倾听书法道说中的允诺,就是思考本真存在和通达诗思之路。海德格尔的艺术、语言、真理、诗歌等哲学思想也为中国书法如何参与当下世界的道说提供重要的启示。 The “Sagen” of Chinese calligraphers unveils aletheia as truth of beings with the unique language of Chinese characters. Martin Heidegger’s interpretation of H?lderlin’s poetry and his later views of language, provides us with an innovative way of thinking to discuss the idea in calligraphy.“Sagen” in calligraphy requires us to listen to the call of thinking, an attitude different from traditional aesthetics. Listening to the commitment of the “Sagen” in calligraphy means reflecting upon the existence of true self and the path leading to poetic inspirations. Heidegger’s philosophical thoughts in terms of art, language, truth and poetry provide important revelations to how Chinese calligraphy joins “Sagen” in the present world.
作者 兰浩 Lan Hao
出处 《天津美术学院学报》 2018年第3期85-88,共4页 Northern Art:Journal of Tianjin Academy of Fine Arts
关键词 海德格尔 中国书法 道说 Heidegger Chinese calligraphy Sagen
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