摘要
切萨雷·帕韦塞是意大利二战后最重要的文学家之一,被列入新现实主义作家之列。作为小说家和诗人,他从意大利语口语中提炼创造出了一种具象的、全新的文学语言,来展现工业城市和乡村的人类活动,对新时代文学创作产生了巨大影响。从真实主义开始,意大利文学创作地域色彩变得浓郁,帕韦塞作品中的“故事空间”具有很强的辨识度。本文通过分析帕韦塞小说中的“场所爱好”来揭示他和都灵之间的关系;并结合作者的神话理论,展现他打造的“神话空间”,从空间角度揭示他写作的诗意。
Cesare Pavese is a "neorealist novelist" in Italian literature,becoming one of the most important writers after the Second World War.Pavese,as a narrator and a poet,paid much attention to the life of the ordinary people living in cities and the countryside.He created a new literary language based on the Italian spoken language to illustrate the activities of people living in the industrial cities and in the mountain villages.He had a profound influence on contemporary literature.Started by the Verism,the regionalism and dialects became evident in Italian literature;the “story-space" in Pavese is more identifiable.In this paper,the relationship between Pavese and the City of Torino is analyzed,his "topophilie" is exposed,and through the theory of his "new myth",the "'mythological space" is revealed to show the poetic quality of his novels.
作者
陈英
Chen Ying(French and Italian Department,Sichuan International Studies University,Chongqing,China)
出处
《外国文学》
CSSCI
北大核心
2019年第3期52-60,共9页
Foreign Literature
基金
四川外国语大学“特色项目”意大利语专业特色教学团队(800318201)
关键词
帕韦塞
神话
都灵
神话空间
Cesare Pavese
myth
Torino
mythological space