摘要
杰弗里·亚历山大自提出强调文化自主性和以意义为中心的文化社会学的强范式转向之后,近年又有较成熟的表演转向和发展中的像似转向。本文在对亚历山大的最新两次文化社会学转向的理论资源、研究内容进行介绍的基础上,对表演转向和像似转向进行比较分析,最后结合其最新理论进展对他的文化自主性理论和布迪厄、福柯的权力、文化和知识理论进行比较和评论。表演理论和像似理论对道德意涵、社会整合、物质维度以及权力的融合对我们研究现代时尚文化、表演仪式以及颜值经济等具有重要参考价值。
Ever since Jeffrey Alexander first advocated the strong program of cultural sociology, he has led a mature performance turn and a developing iconic turn in cultural sociology.Based on an introduction to both new turns in regards of theoretical resources, research content, the author compares and analyses performance turn and iconic turn theories.Finally his cultural autonomy theory is reviewed while being compared with Pierre Bourdieu’ s and Michael Foucault’ s theories on power,culture and knowledge.Performance theory and iconic theory which focuses on moral meaning,social integration, material surface, context and power is of great value for us to study modern fashion culture,performance ceremonies and face value economy.
出处
《理论界》
2019年第3期65-72,共8页
Theory Horizon
关键词
文化社会学
表演
像似
强范式
文化自主性
cultural sociology
performance
icon
strong program
cultural autonomy
