摘要
吴宓的诗歌批评形式多样,散见于其总论、序跋、书评、凡例、浅释、编者按等作品中,皆以文言书写,文体各异。在诗歌批评的标准上,他坚持艺术标准与道德标准并重;从其诗歌批评的性质来看,体现了传统与现代融通的精神;从其诗歌批评的方法来看,自觉地运用比较的方法,对中西诗学进行比较与汇通。吴宓的诗歌批评使传统的批评形式焕发出新的活力,又摆脱了诗话体、随笔体的旧形式,对新诗过于散文化的弊端有所纠正,且连通了后来的新诗格律论。
Wu Mi’s Critical forms of poetry are paper,preface and postscript,book review,General notices, shallow explanation, editor’ s note.They are all written in classical Chinese with different styles.On the standard of poetic criticism,he insisted on equal emphasis on artistic standards and moral standards.From the nature of his poetry criticism, Wu Mi’ s poetic criticism reflected the spirit of combining tradition with modernity.From the method of poetic criticism,Wu Mi consciously used the method of comparison, to compare and harmonize Chinese and western poetics.Wu Mi poetic criticism rejuvenated the traditional forms of criticism, and got rid of the old form of poetic style, essay style;Corrected the prosaic tendency of new poetry, and connected the later new poetry meter theory.
出处
《理论界》
2019年第3期87-95,共9页
Theory Horizon
基金
国家社会科学基金重大项目"民国话体文学批评文献整理与研究"(15ZDB079)的研究成果
关键词
吴宓
诗歌批评
特征
现代意义
Wu Mi
poetry criticism
characteristics
the modern significance