身体诗学:一个基于身体概念的理论图式

Somatic Poetics:A Theoretical Schema Based on the Concept of Body

自20世纪90年代起,中国学术的主体性日益凸显,有关原创的言说不断增殖,进入21世纪以后,上述筹划开始落实为具体的理论建构。根据现有理论中的诸多话语资源,本文试图将身体学引入诗学研究,建构一个原创性的身体诗学图式:(1)“身体—动作—对象”是原初之诗的基本结构;(2)身体性想象是诗性生成的动因;(3)激发身体性体验是诗性制作的原初目的。通过对此图式的阐释,以下命题将获得证明:(1)做诗的主体是敏感的、主动的、劳作的身体;(2)诗性诞生于身体的行动并由身体的行动(真实的和想象的)维系;(3)诗学终将落实为植根于身体的诗学。由此产生的是回到身体—生活世界的身体诗学,它超越了西方流行的以身体为客体的诗学研究范式,演绎了诗学重构自身的路径。

Ever since the 1990s,the subjectivity of Chinese academic research has been accentuated with more and more original discourses.These initiatives have been developed to be concrete theoretical constructions in the 21 st century.This paper attempts to introduce somatic studies into the study of poetics in order to construct an original scheme of somatic poetics,which includes:(1)“body-action-object”as the basic structure for original poetry;(2)somatic imagination as the motive for poetic formation;(3)the stimulation of physical experience as the primary purpose for poetic production.An interpretation of this scheme will justify the following propositions:(1)the subject of poetic creation is the sensitive,proactive and productive body;(2)the poetic effect originates from and is sustained through the bodily action(both real and imaginative);(3)poetics will ultimately be actualized as the poetics that is rooted in body.Out of these comes a somatic poetics that returns to the physical-living world,which transcends the Western prevalent research paradigm that takes body as the object.Somatic poetics shows the path for reconstructing poetics.