中国马克思主义文论的“内部研究”

On “Internal Study” of Marxist Literary and Art Theory in China

中国马克思主义文艺批评方法直接进入操作层面,它的功能需要进一步完善。首先是长期以来持续讨论的有关“美学和历史的”问题没有很好地得到解决。从文本出发讨论历史运动和审美的一般规律,对象和参照系有时互相缺位,不能构成对立统一关系。其次是“文化研究”是一个笼统的文论现象。马克思主义文艺批评与非马克思主义文艺批评有待进一步区分。本文着重探索的是中国马克思主义文艺理论的内部结构,尝试从打破孤立状态并回到文艺现实,批评家自身的意识形态结构以及形成批评理论的诸环节等方面来破解上述难题。

When critical methods are directly used in practice,their function need to be further improved.First of all,the problem of“aesthetics and history”which has been discussed for a long time has not been well solved.On the one hand,aesthetics is sometimes obscured by political ideology;on the other hand,historical materialism is sometimes suspected in aesthetic ideology.If the general laws of historical movement and aesthetics are discussed from the text,the object and the reference frame will be absent from each other and cannot form a unity of opposites.Secondly,“cultural study”is a general phenomenon of literary theories,and Marxist literary criticism needs to be further differentiated from non-Marxist literary criticism.This paper focuses on exploring the internal structure of Chinese Marxist literary and art theories,and tries to solve the above problems by breaking the isolated state and returning to the literary and artistic reality,rebuilding the ideological structure of the critics themselves,and forming the various links of critical theories.