摘要
李学辉的《国家坐骑》继承其以往的创作风格,将叙述背景置于风云变幻的清朝末年,一个半人半神的韩义马,一个至死不渝的圉人,一个爱子心切的母亲……凡此种种构成了一个传奇故事。本文通过"家国命运的历史同构""人性的压抑与释放"和"对比强烈的人物形象"三个方面的论述,完成对其作品人性维度的分析与阐释。
Li Xuehui’s National Mount inherits his previous writing style, puting the narrative background in the changeable late Qing Dynasty. A demigod named Han Yima, an undying equerry, a loving mother...all these constitute a legendary story. This article completes the analysis and interpretation of the human dimension of his works through three aspects of elaboration, namely,"the historical isomorphism of the fate of the family and the country","the repression and release of human nature" and "the strong contrast of the characters"
作者
刘梦琪
杨光祖
LIU Meng-qi;YANG Guang-zu(School of Media,Northwest Normal University,Lanzhou 730070,China)
出处
《兰州文理学院学报(社会科学版)》
2019年第3期7-11,共5页
Journal of Lanzhou University of Arts and Science(Social Science Edition)