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中国当代奇幻影视文学对中国传统文化的“挪用”与“改写” 被引量:1

“Appropriation” and “Rewriting” of Chinese Traditional Culture by Chinese Contemporary Fantasy Film and Television Literature
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摘要 中国当代奇幻影视文学是中国特殊的现代性和西方现代奇幻文学在中国当代文化语境中叠合的结果,它建立在对中国传统文化中相关资源“挪用”与“改写”的基础上。就中国当代奇幻文学影视而言,它主要突出地表现为传统文化中的道具“强行置入”、对神人观念上的“遗忘与替换”、神人力量的消长、对“凡心”的肯定、“神凡恋”的变奏五个方面,前两个方面是对中国传统文化的“挪用”,后三个方面是对中国传统文化的相关部分的“改写”,它们构成了中国当代奇幻文学影视对中国传统文化由浅到深的现代性路径,这些特征是由中国传统文化的深层结构和中国现代性的特殊性共同决定的。 Chinese contemporary fantasy film and television literature is the result of the overlapping of Chinese special modernity and western modern fantasy literature in the context of Chinese contemporary culture.It is based on the"appropriation"and"rewriting"of relevant resources in Chinese traditional culture.Chinese contemporary fantasy literature,film and television,for its part,features the"forced"entrance of tools into the traditional culture,the"forgetting and replacement"in the concept of gods and men,the increase of men’s power at the price of gods,the affirmation of"common heart"and the variation of"the love between gods and mortals".The first two aspects are obviously the"misappropriation"of traditional Chinese culture,while the latter three rewrite the relevant parts of Chinese traditional culture.These five features illustrate the modernity path of the Chinese contemporary fantasy literature,film and television’s evolution from Chinese traditional culture.This evolution is decided by the deep structure of Chinese traditional culture and the particularity of Chinese modernity.
作者 赵臻 Zhao Zhen(College of Teachers Education,Zunyi Normal University,Zunyi 563006,China)
出处 《江苏大学学报(社会科学版)》 北大核心 2019年第3期23-29,共7页 Journal of Jiangsu University(Social Science Edition)
基金 国家社会科学基金重大项目(15ZDB023) 遵义师范学院博士科研基金(遵师BS[2018]20号) 遵义师范学院人文与传媒学院院级课题资助
关键词 奇幻文学 影视文学 传统文化 挪用 改写 fantasy literature film and television literature traditional culture appropriation rewriting
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