摘要
20世纪90年代,作家们对女性身体的书写成为这一时期重要的文学现象。张抗抗的小说《情爱画廊》以女性身体书写为主题,试图从女性身体的审美角度来表现女性解放。但从小说中可以看出,在对女性身体书写的自主、开放和现代化表达中,隐藏着女性解放的不彻底性和商业性。小说以审美这种形式来表达女性解放是不成功的,这也暴露了在作者的女性解放意识中存在不完善和不深入的问题。
In the 1990s,writers'writing of female bodies became an important literary phenomenon in this period.Zhang Kangkang's novel The Gallery of Love,with the theme of female body writing,attempts to express women's liberation from the aesthetic perspective of female body.However,it can be seen from the novel that in the independent,open and modern expression of female body writing,the incompleteness and commerciality of female emancipation are hidden.It is unsuccessful for the novel to express women's liberation in the form of aesthetics,which also exposes the imperfection and lack of depth in the author's consciousness of women's liberation.
作者
陈佩娟
CHEN Pei-juan(School of Literature,Shaanxi University of Technology,Hanzhong,Shaanxi 723000)
出处
《牡丹江大学学报》
2019年第6期37-39,74,共4页
Journal of Mudanjiang University
基金
陕西理工大学研究生创新项目“90年代文学中身体及自恋性写作”(项目编号:SLGYCX1804)
关键词
张抗抗
《情爱画廊》
女性身体
审美
解放
Zhang Kangkang
The Gallery of Love
female body
aesthetic
liberation