汪母“恋子情结”的时代悲剧性

The Tragic Nature of the Times Pertaining to Love-child Complex of Mother Wang

谈及《寒夜》,大多会聚焦于汪文宣与曾树生的爱情悲剧。但作品中汪母的"恋子情结"问题同样不容小觑,从它的形成、表现和文化意蕴这三个维度可以看出其时代悲剧性。"恋子情结"脱胎于弗洛伊德"恋母情结"概念,在中国演化为"寡母恋子憎媳"情结模式,其中《寒夜》汪母的"恋子情结"别具特色。汪母的"恋子情结"由多重因素综合而成,表现为恋子、憎媳和自欺,并建构起"寡母恋子憎媳自欺"的现代表现模式。因此,汪母的"恋子情结"具有丰富的时代悲剧性意蕴,既有传统文化意蕴又具现代文化意蕴。

When it comes to Cold Night,most people focus on the love tragedy of Wang Wenxuan and Zeng Shusheng.However,the lovechild complex of Mother Wang is not to be underestimated either.And the paper probes into the tragic nature of the times pertaining to the love-child complex of Mother Wang,respectively from the formation,manifestation,and cultural implications of the complex.The theory of the love-child complex originated from the Freud’s interpretation of Oedipus complex.In China,it evolved into the complex patterns of"widowed mother’s love for her son and hatred for her daughter-in-law",and among them,the love-child complex of Mother Wang in Cold Night is unique.The love-child complex of Mother Wang is a combination of multiple factors,and it is shown as a love for her son,a hatred for her daughter-in-law and self-deception.Consequently,the identical modern mode is established.Therefore,the love-child complex of Mother Wang is rich in the implications of the tragic nature of the times,which mainly include traditional cultural implication and modern cultural implication.