摘要
现代以来,新诗人转作旧体诗或兼作旧体诗者所在多有。作为转作旧体诗的新诗人,刘克胤以“诗乃心声”与在场抒写的创作理念为指导,徘徊在新旧语境之间,反思颠覆传统意象,抒写当代语境下鲜活与孤独的灵魂,以个人化的细腻体验呈现时代风采。这一创作形态对当代旧体诗创作与研究具有研究价值。
Since modern times, there are many new poets who turn to old style poetry and who write both new and old style poetries. As a new poet who turned to old style poetry, Liu Keyin, guided by the creation idea of "poetry is the heart" and the lyrics on site, wades between the old and new context, reflects on subverting the traditional image, and expresses the fresh and lonely soul in the contemporary context, presenting the elegant demeanor of “The Times”with the personalized exquisite experiences. This creation form has research value for the research of contemporary old style poetry.
作者
王贺
WANG He(Institute of Chinese Poetry,Beijing,100026)
出处
《泰山学院学报》
2019年第3期93-99,共7页
Journal of Taishan University