摘要
图腾是一个民族的标记符号,也是一个民族的文化标志,具有重要的民族意义。苗族图腾虽然多次变迁,由单一衍生多数,但它所蕴含的生殖崇拜感却逐渐增强。苗族先祖把多子多孙的原始意识寄托在民族图腾之内,主要有鱼、蝴蝶、枫木、小米穗等各类动植物象。这种自我生命的繁殖不仅暗含朴素的"以人胜天"的思想,而且升华了民族自身发展"以人为本"的文化意蕴,同时把文化内涵浸润在现实生活中,以求实现民族持续发展。
Totem is a symbol of a nation and a cultural symbol of a nation. It has important national significance.Although the totem of Miao nationality has undergone many vicissitudes,its strong sense of reproductive worship has been gradually strengthened. The ancestors of the Miao nationality concentrated their aspirations of multiple children into the totem of the nation,mainly in fish and butterfly,maple,millet and other animals and plants. The reproduction of this kind of self life not only implies the idea of simple "people win the sky", but also sublimates the cultural connotation of "people-oriented" for the nation’s own development. At the same time,it infiltrates the cultural connotation into the real life and realizes the continuous development of the nation.
作者
王荭
WANG Hong(School of Literature,Guizhou Normal University,Guiyang,Guizhou 550001,China)
出处
《贵州民族研究》
CSSCI
北大核心
2019年第3期65-69,共5页
Guizhou Ethnic Studies
关键词
贵州
苗族
图腾
崇拜
多子
Guizhou
Miao
totem
worship
multiple children