从塞尚的绘画透视乡愁的生成机制

Study on the Generation Mechanism of Xiangchou from Cezanne’s Painting

本文试图以法国后印象派画家塞尚的作品《圣维克多山》为线索,从画中的物象、色彩等看得见的要素来解读画家不同时期心中看不见的乡愁思绪与其情感变化。论文从艺术、景观、社会、心理以及人居空间等角度,深入浅出阐述了乡愁的特征、表征载体、生成机制。这篇论文的主要观点包括:“乡愁是一种复杂的情感”、“乡愁不是愁,而是美和爱”;乡愁的载体包括自然环境、生产环境和生活环境;乡愁的生成机制与人居环境的变迁、个人成长经历有着密切关系。论文进一步指出,我国城镇化建设,除了人居环境的物质条件提升,不能忽视人的情感需求以及地方乡愁文化的保护传承。论文的价值在于为认知中国人的“乡愁”提供多维视角。

Based on theories of landscape art, social psychology and architecture, this essay explores the characteristics, representation carrier and generative mechanism of XiangChou.In this way, taking the painting of "Mont Sainte-Victoire" done by the French post-impressionist painter Cezanne as a typical example, this essay tries to demonstrate the artist’ intangible feelings of nostalgia in different periods: Firstly, XiangChou is a complex emotion with love and beauty instead of sorrow,secondly, nostalgia can be represented by the tangible elelmets in natural,living and production environment, and thirdly, the generative mechanism of XiangChou is related to the transformation of human environment,experience of personal growth, wich provides a perspective for Chinese to recognize the true meaning of Xiangchou.Finally, it points out that the XiangChou emotional needs of the local settler could not be ignored during the process of urbanization.