促动新诗发展的多元力量探析

An Analysis of the Multiple Forces Driving the Development of New Poetry

1919年胡适在《谈新诗——八年来一件大事》中第一次提出了“新诗”这一概念,从此它成为区别于旧诗的诗体观念经历了百年的发展演变,在这一过程中,受到了来自中国传统诗学、民歌和西方诗歌等多元浪潮的冲击,这些力量均对新诗的发展产生了不同程度的影响。传统的旧诗作为民族文化的代表与新诗有千丝万缕的联系;三次民歌潮流在特定历史阶段极大改变了新诗的面貌;西方诗学资源的涌入更是从最初就深刻地影响了新诗的走向,正是在多重关系构成和复杂因子的作用下,新诗不断发生嬗变。同时,多元力量的存在和交织式影响提醒诗人群体自觉进行传统资源与现实经验的深度融合,注重把握本土化艺术探索与西方诗学介入的关系,在全球对话性语境已被建构的今天,更好地促动新诗的发展。

In 1919,Hu Shi first put forward the concept of“new poetry”in“New Poetry:An Important Event in the Past Eight Years”.Since then,it has undergone a hundred years of development and evolution as a poetic concept that different from the old poetry.In this process,it was impacted by the pluralistic wave of Chinese traditional poetics,folk songs and western poetry.These forces all had different degrees of influence on the development of new poetry.As a representative of national culture,traditional old poetry is inextricably linked with new poetry.The three trends of folk songs greatly changed the appearance of new poetry in specific historical stages.The influx of western poetic resources has profoundly affected the trend of new poetry from the very beginning.It is precisely under the influence of multiple relations and complex factors that new poetry constantly evolves.The existence of multiple forces remind poets to consciously integrate traditional resources and real experience,in the mean while,grasp the relationship between the exploration of indigenous art and the involvement of western poetics to promote the development of new poetry.