摘要
由东南大学艺术学院汪小洋教授主编的《中国丝绸之路上的墓室壁画》是关于丝绸之路沿线墓室壁画成就的研究成果。全书对墓室壁画从地域、时间、数量、规制、题材、影响等方面进行了整理,并总结其对应的艺术特征。研究立足于考古遗存,意在进行艺术风格的总结与归纳,强调了在丝绸之路墓室壁画艺术中中原文化的主导作用和外域文化的渗透效果。全篇语言深入浅出,图文并茂,资料丰富,是丝绸之路宗教美术研究的重要参考资料。
Wang Xiaoyang,professor of Southeast University of the arts college,and chief editor of Mural Painting in Tomb Chamber in the Silk Road-research production about mural painting in tomb chamber in the silk road.The book sorts out the mural painting in tomb chamber from the perspectives of regions,time,number,regulations,theme,influence and so on and concludes corresponding artistic characteristics.The research based on archaeological remains,aiming at summary and induction of artistic style and emphasizing leading function of Central Plain Culture and penetrated ability of external culture of mural painting in tomb chamber in the silk road.The resourceful passage explains profound ideas in simple terms and is excellent in both pictures and literary compositions,which is a crucial reference material on research of religious art of the silk road.
作者
王舒颖
Wang Shuying(Shanghai Jiaotong University of College of Humanity Shanghai 200240)
出处
《新疆艺术学院学报》
2019年第1期28-31,共4页
Journal of Xinjiang Arts University
关键词
汪小洋
丝绸之路
墓室壁画
Wang Xiaoyang
the Silk Road
Mural Painting in Tomb Chamber