摘要
该文为作者《汉印文字的讹变》研究中“讹变”界定章节。本研究本着为篆刻创作提供更广阔空间、探究汉印讹变文字对于当今篆刻的意义而进行的。该研究用“艺术对比的眼光”将《汉印文字徵》中著录的文字与《金文编》中的金文、秦简牍秦隶、汉初古隶、《说文解字》的小篆等进行比较、研究、整理,得出艺术结论的同时补充了文字学“隶变”研究中汉印文字讹变的空白部分。
This paper is the definition section of writer’s research-Erroneous Transformation of Chinese Characters in Seal,which aims to expand more areas for seal cutting arts and researches related significance of current seal cutting areas triggered by erroneous transformation.This research utilizes the view of art comparison to make a comparison analysis among Chinese characters from related professional publication which refers to inscriptions on ancient bronze ware,small seal,clerical script of the Qin dynasty,and clerical script of early years of the Han dynasty,which gets an art conclusion and fills up the limitation of Chinese character erroneous transformation of clerical script.
作者
吕泉烨
Lv Quanye(Xinjiang Arts University Xinjiang Urumqi 830049)
出处
《新疆艺术学院学报》
2019年第1期113-122,共10页
Journal of Xinjiang Arts University
关键词
汉印文字
篆刻创作
讹变
文字学
Chinese Characters in Seal
Seal Cutting Innovation
Erroneous Transformation
Philology