摘要
时代是思想之母,实践是理论之源。改革开放40年,中国设计理论争鸣与话题重建经历了“工艺美术运动”“艺术设计运动”“现代设计运动”以及“中国设计学派”的更迭,实现了中国设计学研究由“工艺美术学”“艺术设计学”向“中国设计学”的观念转换,围绕它们的讨论成为改革开放后中国设计艺术理论研究的主旋律。而“中国设计学派”等原创理论愿景的最终提出,标志着中国设计理论研究实行了自我认知的回归。只有着力打造具有中国特色、中国风格、中国气派的设计理论话语体系,用中国理论来回答中国问题,用中国话语来解读中国发展问题,才是中国设计未来创新发展的真正道路。
Time is the mother of thought,and practice is the source of theory. With 40 years of reform and opening up,China’s design theory schools of thought contend and subject reconstruction has experienced the " arts and crafts movement", " art and design movement", " modern design movement" and " Chinese school" design change,realize China by design research " craft fine arts", " art design" to " China design" concept conversion,around their discussion to become design art theory to study the main melody of China after the reform and opening up. The final proposal of the original theoretical vision of " Chinese design school" marks the return of self-cognition in the study of Chinese design theory. Only by making great efforts to build a discourse system of design theories with Chinese characteristics,Chinese style and Chinese style,answering Chinese questions with Chinese theories and interpreting Chinese development issues with Chinese discourses,can the real path of innovation and development of Chinese design in the future be realized.
作者
杨先艺
刘震
汪笑楠
YANG Xian - yi;LIU Zhen;WANG Xiao - nan(School of Art and Design , Wuhan University of Technology, Wuhan, Hubei 430070)
出处
《艺术百家》
CSSCI
北大核心
2019年第2期57-60,共4页
Hundred Schools In Arts
关键词
改革开放40年
工艺美术
艺术设计
现代设计运动
中国设计学派
话语重建
40 Years of Reform and Opening up
Arts and crafts
Art design
the Modern Design Movement
Chinese School of Design
Discourse Reconstruction