摘要
如果说发生在宋、元甚至明中期以前的杂剧、传奇是古典戏曲,发生在近代并一直存活至今的京剧和绝大多数地方戏是近现代戏曲的话,那么,青阳腔的出现即可说是引发了中国戏曲的现代品格并使之完成最终定型,堪为从古典戏曲到现代戏曲的桥梁和媒介。它直接影响并改变了中国主流戏曲的形态与进程,使之成为名副其实的戏曲、彻头彻尾的表演艺术、无可争议的大众消费和地地道道的民俗文化。
If the zaju,legendary play or Kunqu opera,which took place in Song,Yuan and even before the middle of Ming Dynasty were classical operas,and the Peking Opera and most local operas that took place in modern times and have survived till now were modern operas;Then,the emergence of Qingyang cavity can be said to have triggered the modern character of Chinese opera and made the opera form mature,which can serve as a bridge and media from classical opera to modern opera. Qingyang cavity has directly influenced and changed the form and process of Chinese mainstream opera,making it a veritable opera,an out-and-out performing art,an indisputable mass consumption and a genuine folk culture.
作者
王长安
WANG Chang - an(Anhui Federation of Literary and Art Circles , Hefei Anhui 230001)
出处
《艺术百家》
CSSCI
北大核心
2019年第2期88-92,共5页
Hundred Schools In Arts
关键词
青阳腔
大众形态
通俗化
前台中心
改调歌之
Qingyang Cavity
Popular Form
Popularization
Take Actors as the Center of Opera Performance
Change the Tune of a Song