摘要
以西方导演个人身份拍摄的中国政治议题纪录片为研究对象,从叙事学的角度研究其对中国主题的个人表述。研究发现,在有关中国影像的建构方面,西方导演个人身份的中国政治议题纪录片走过了从思想介入到事实介入、从局外人到局内人、从直呈式影像到重构式影像的过程。西方导演中国政治议题纪录片在影像表达方面的探索,对当下国内纪录片如何向国际讲述“中国故事”具有重要的借鉴意义。
Focusing on Chinese political documentaries shot by western directors in their personal identities from a narrative of view , we find that in terms of the construction of Chinese images , Chinese political issue documentaries of western directors' personal identity have gone through a process from ideological intervention to factual intervention , from outsider to insider, from direct image to reconstructed image. The exploration of the image expression of Chinese political documentaries directed by western directors has important reference significance for domestic documentaries to tell "China story" to the international community.
作者
王庆福
WANG Qing-fu(School of Journalism and Communication , Shanghai International Studies University, Shanghai 20083)
出处
《艺术百家》
CSSCI
北大核心
2019年第2期148-152,共5页
Hundred Schools In Arts
基金
2018年度国家社会科学基金艺术学一般项目“纪录片讲述‘中国故事’的叙事策略研究”(项目编号:18BC036)阶段性成果之一