中国早期水彩画民族化探究——以静物画题材为例

The Research on Nationalization of Early Chinese Watercolor Painting:Take Still Life as an Example

“民族化”是中国早期水彩画在发展过程中的重要命题,本文试图以水彩静物画民族化实践为例,探索当时水彩画的接纳、吸收、融合等状态。在水彩传入中国的早期历史中,一方面是全盘吸收国外的水彩经验。另一方面,又在构图、技法、以及审美观念等方面融合本民族文化逐渐形成强烈的民族风格。关于“民族化”地理解在不同的社会语境下也不断发生变化,对中国早期水彩画中西交流历史的梳理将会为今天的水彩画发展提供重要参考和启发。

" Nationalization" is an important topic in the development of early Chinese watercolor painting. This paper attempts to take the practice of nationalization of still life watercolor painting as an example to explore the acceptance,absorption and integration of watercolor painting at that time. At the beginning of watercolor introduction to China,on the one hand,the abroad experience of watercolor was fully absorbed,on the other hand,it gradually forms a strong national style by integrating its own national culture in composition,techniques and aesthetic concepts. The understanding of " nationalization" is changing in different social contexts. A historical review of the exchange between China and the West of early Chinese watercolor painting will provide an important reference and inspiration for the development of today’s watercolor painting.