“新史学”语境下的音乐新面孔——以16世纪意大利牧歌的人文主义倾向为中心

A New Appearance of Music under the Context of New History: Centered on the Humanistic Tendency of the Italian Madrigal in the 16th Century

近年来,依托多学科交叉,强调时空视阈下整体考察的“新史学”研究路径使音乐研究成果呈现了新的面孔,为历史工作者和音乐工作者所共同关注。本文尝试在“新史学”的语境下去重新审视音乐的历史,具体则将以16世纪的意大利牧歌这一西方音乐史早期的音乐体裁代表作为探讨对象,尽可能从第一手材料出发[2],运用历史解释、音乐分析等学科交融的方法进行考察。可知,文艺复兴盛期诸多音乐作品的人文主义思想呈现并不与社会发展完全同步,即相较于政治社会思想领域具有一定滞后性,但已具有特色鲜明且递次加深的人文主义倾向。

As an important part of civilization,music is magnificent and infinite wherever and whenever,and the study of music history is increasingly concerned by historians and musicians in recent years."New History"wave of thinking,driven by the value of music is constantly being excavated for the history of workers and musicians of common concern.This dissertation aims to reexamine the history of music in the context of"New History",and the concrete music will be discussed in the 16th century Italian pastoral music,which is the earliest music genrerepresentative of western music history.It can be concluded that,in the historical context,the humanistic tendencies in the field of music have lagged behind the political and ideological fields,but they have distinctive humanistic tendencies.