论杜夫海纳“感性的荣耀”的基本美学内涵

Essential Aesthetic Meaning of Dufrenne’s “the Glory of Sensuousness”

在杜夫海纳建构的审美知觉意向性结构中,"感性的荣耀"作为审美对象的具体存在形式,是指具有明晰的外在感性形式与丰盈的内在情感意义的艺术作品,通过欣赏者的审美知觉获得了自身的显现,从而在欣赏主体具有主观性、多样性和普遍性的读解中自我实现的完满状态。它在对象向主体呈现的层面体现了审美对象"自在"的特性,在主体对对象读解的层面体现了审美对象"为我们"的特性,其形式的二重性内在地驱动了全部审美对象的生成过程,体现了审美对象"准自为"的特性。

In the intentionality of aesthetic perception of Dufrenne,"the glory of sensuousness",as the concrete being of aesthetic object,is the self-manifestation of the work of art perceived by spectator’s aesthetic perception,which represents the fullness of sensuous being and of the meaning immanent in the sensuous."The glory of sensuousness" expresses the quality of aesthetic object in three dimensions:"in-itself",considered as the appearance of aesthetic object;"for-us",as the contemplation of aesthetic subject;"quasi for-itself",as the essential motivation of the generation of aesthetic object.