摘要
上世纪五十年代"美学大讨论"源于《文艺报》对朱光潜"资产阶级唯心主义美学思想"有组织、有计划的历史清算,却因"双百方针"的出台以及"批判方"内部蔡仪与黄药眠美学观点产生分歧,对朱光潜的批判无法形成统一论调,使得政治批判在"百家争鸣"语境中不得不临时转入到学术层面,进而突变为一场全国性的美学争鸣。在美学讨论中,由黄药眠主持的北京师范大学"美学论坛"作为讨论的继续和深化,不仅标志着美学从政治批判走向学术争鸣,还代表着当时美学研讨的新动向、新水平,并在随后产生了巨大的社会影响。黄药眠在美学论坛中的价值论美学思想转向,也充分彰显了黄先生独具一格的时代美学特色及其敢于突破藩篱的理论勇气,历史不该遗忘。
In the 1950s, aesthetics originates from the planned criticism of Zhu Guangqian and his bourgeois aesthetic thought. However, due to the emergence of the double hundred principles, and the divergence of Cai Yi’s and Huang Yaomian’s aesthetic views, the political criticism has to be temporarily transferred to the academic level of aesthetic contention nationwide. Aesthetic forum chaired by Huang Yaomian from Beijing Normal University marks the transition from political criticism to academic contention of aesthetics, and represents the new trend of aesthetic researches, yielding a tremendous social impact subsequently.
作者
李圣传
黄大地
张荣生
LI Sheng-chuan;HUANG Da-di(School of Chinese,Capital Normal University,Beijing 100089,China;Literature and Art Research Center,Beijing Normal University,Beijing 100875,China)
出处
《河北师范大学学报（哲学社会科学版）》
2019年第3期75-85,共11页
Journal of Hebei Normal University(Philosophy and Social Sciences)
基金
国家社科基金青年项目“黄药眠年谱整理及其文艺思想研究”(16CZW002)
教育部“霍英东青年教师基金”资助项目(161090)
