摘要
《上陵》是《汉鼓吹铙歌》中的第八篇,关于它的属性有军乐说、宴饮说、颂圣说、游仙说等不同说法,其释义也同属性一样存在各种不同的争论,而且艺术上也具有鲜明的特点。汉代以后魏、吴、晋、宋鼓吹铙歌中都有《上陵》的流变篇目,前三首是统治者拟作的军乐,后一首则是文人的私作,无论是艺术上还是成就上都较之前取得了更高的成就。
Shangling is the eighth chapter of GuChuiNaoGe of Han Dynasty, There are different views on its attributes, such as military music theory, feasting theory, sanctifying theory, and wandering fairy theory. It also has the different arguments about its definition as well as its attributes, and it also has distinct artistic features. After the Han dynasty, the Wei, Wu, Jin and Song dynasty also has the rheological poetry of Shangling. The first three are military music intended by the rulers, and the second one is private poetry of the literati. Both in art and achievement are higher than before.
作者
李婉莹
LI Wan-ying(College of Literature, Shenyang Normal University, Shenyang 110034, China)
出处
《齐齐哈尔师范高等专科学校学报》
2019年第2期25-27,共3页
Journal of Qiqihar Junior Teachers College
关键词
《上陵》
诗歌属性
释义分析
流变
Shangling
poetry attribute
interpretation analysis
rheological