海德格尔现象学视角下的山水画造境与江南园林造景研究

Study on Landscape Painting and Gardens in South-Eastern China from the Perspective of Heidegger’s Phenomenology

山水画和江南园林同源于中国独有的艺术表达,两者有许多相似之处。创作者剥去日常生活的繁琐,直达“生存”的本质。由于两者都是中国古代文人在“生存”及“存在”层面的行为,可从西方存在主义现象学进行阐释。因此,文章试图以海德格尔现象学视角为切入点,从二者的创作动因、创作手法以及作品观法之中,找寻共通之处。

Landscape paintings and gardens in the south-Eastern China originate from the unique artistic expression in China. They have many similarities. The creator strips away the complexity of everyday life and goes straight to the essence of "Exisenz". Since both of them are the actions of ancient Chinese literati at the level of "Exisenz" and "Sein", they can be explained from the phenomenology of Western existentialism. Therefore, this paper tries to find common ground from Heidegger's phenomenological point of view, from their creative motivation, creative techniques and works view.