古典诗学视域下的“险韵”现象

“Obscure Rhymes” Phenomenon in the Vision of Classical Poetics

作为一个比较重要的诗韵学与诗学概念,“险韵”在当代古典诗学界受到普遍关注。所谓“险韵诗”,就是指押“险韵”这一艺术手法在诗歌结构系统中由从属地位上升至主导地位后形成的一种独立的诗歌类型。“险韵”与“强韵”“难韵”“僻韵”等概念既有区别又有联系,“险韵诗”与次韵诗、独木桥体、联句诗也存在一定程度的关联性。“险韵”一共有三个典型历史文本,同时也由此产生三个代名词,即“竞病诗”“车斜韵”与“尖叉韵”,构成了我国古典诗学的特殊“险韵”现象。

As an important poetry rhyme and poetic studies,“Obscure Rhymes” has received widespread concern in the contemporary circle of classical poetics. The so-called “Obscure Rhyme Poetry” refers to that the artistic method “Obscure Rhymes” in the poetic structural system become an independent poetry type from a subordinate position to a dominant position. Concepts “Obscure Rhymes”,“Strong Rhymes,”“Difficult Rhymes”,“Devious Rhymes” are both different and related.“Obscure Rhyme Poetry” has a level of relationship with Subrhyme Poems, Sole-rhyme Poems, and Joint Authorship Poems. With three typical historical texts,“Obscure Rhymes” has three pronouns, namely “Jingbing Poems”,“Chexie Rhymes”, and “Jiancha Rhymes”, which also constitute the special “Obscure Rhymes” phenomenon of the Chinese Classical Poetics.