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践行和超越——评王永健新著《新时期以来中国艺术人类学的知识谱系研究》

Practice and Transcendence on a New Book of Wang yongjian——Research on Knowledge Pedigree of Artistic Anthropology in China since the New Era
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摘要 从20世纪80年代至今的三十余年时间里,中国艺术人类学从蹒跚起步到迅速发展,离不开各位前辈学者、研究人员的不懈探索和努力,一系列的著述不断滋养着艺术人类学在中国萌芽并起步。《新时期以来中国艺术人类学的知识谱系研究》是一部关于中国艺术人类学学术史的专著,梳理了中国艺术人类学从发轫至今的发展历程,通过总结大量优秀论著为我们理清了学术演进的脉络,清晰地展现了一幅中国艺术人类学发展的“知识谱系”图景。 over the past three decades (from the 1980s till now), from a staggering start to booming, artistic anthropology in China was nourished by unremitting exploration and great efforts of the predecessor scholars and researchers as well as a series of works. Research on Knowledge Pedigree of Artistic Anthropology in China since the New Era is a monograph depicting the academic history of artistic anthropology in China. This monograph clarifies the development course of artistic anthropology in China from its start to this day. Summarizing a large number of excellent articles and works, it shows us the process of academic evolution as well as clear “knowledge pedigree” of artistic anthropology in China.
作者 王天歌 WANG Tian-ge(Chinese National Academy of Arts,Beijing 100000)
机构地区 中国艺术研究院
出处 《集宁师范学院学报》 2019年第3期28-30,34,共4页 Journal of Jining Normal University
关键词 艺术人类学 艺术理论 文本 田野 知识谱系 artistic anthropology in China artistic theory text field knowledge pedigree

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