摘要
在一个相对狭小封闭的空间拍摄的微电影更适合微电影的“三微”属性。封闭空间微电影受到西方“三一律”戏剧结构理论观照,从观众对单一场景的忍耐程度来看,因其“微时长”属性,它比“封闭空间大电影”更适合去表达“封闭空间”。面对目前微电影创作普遍存在题材面窄,整体质量不高的状况,封闭空间微电影的创作无疑是解决这一困境的有效路径。
Micro film shot in a relatively small closed space is more suitable for micro film three micro at. tributes. The closed space micro film is observed by the western three undivided drama structure theory. From the perspective of the audience's tolerance for a single scene, it is more suitable to express the closed space than the closed space big film because of its micro-length attribute. Facing the current situation of narrow sub. ject matter and low overall quality in micro film creation, the creation of closed space micro film is undoubted. ly an effective way to solve this dilemma.
作者
安岚
周武
AN Lan;ZHOU Wu(Guizhou University of Engineering Science, College of Humanities,Bijie,Guizhou551700,China;Guizhou University of Engineering Science,Library,Bijie,Guizhou551700,China)
出处
《贵州工程应用技术学院学报》
2019年第2期146-150,共5页
Journal of Guizhou University Of Engineering Science
基金
贵州省教育厅高校人文社会科学研究规划项目“数字化微电影对贵州高校校园文化建设的应用研究”,项目编号:2018gh21
关键词
封闭空间
微电影
戏剧张力
命运感
Closed Space
Micro Films
Dramatic Tension
Sense of Destiny