吴镇“渔隐山水”及其笔墨语言内涵

Wuzhen’s “Landscape with the Fishing Hermit” and Its Connotation of the Brushwork

隐逸文化是中国历史上一个独特的文化现象。自古以来,中国的知识分子由于政治的束缚与价值取向的变迁等各种原因,孜孜不倦地追求一种超逸、自然的生活方式,崇尚精神自由。元代是由异族统治的王朝,因此在政治政策上带有明显的民族歧视色彩。在这样的历史背景之下,汉族人在朝廷的发展之路便受到了极大的阻碍,这使他们放弃了自身的民族责任感,选择了隐居生活,并且将情感寄托于画作之上。吴镇可以说是元代隐逸思想的代表,其所描绘的"渔隐山水"表达出自己内心一种超然脱俗的情感。本文便以吴镇的"渔隐山水"图式为例,来探讨"渔父"形象及其笔墨语言内涵。

Seclusion culture is a unique cultural phenomenon in Chinese history.Due to various reasons such as the political constraints and the changes of value orientation,Chinese intellectuals have been always striving for a free and natural living style and the freedom of spirit.The Yuan dynasty was established by the alien nationality,so the political policies had the obvious characteristics of racial discrimination.In such a historical background,the official careers of the Han people were basically suffocated,so they gave up the sense of national responsibility to choose to live in seclusion and repose their emotion in the painting.As a representative of the hermits in the Yuan dynasty,Wu Zhen expressed the reclusive thought and his own unworldly emotion in"the landscape with the fishing hermit".The paper takes"the landscape with the fishing hermit"as an example to discuss the image of"fisherman"and the connotation of Wu Zhen’s brushwork.