摘要
万玛才旦的新片《撞死了一只羊》呈现出与其以往影片的现实风格截然相反的调性,将两部互为镜像的短篇小说合并,在荒诞魔幻的氛围中,讲述了一个长途货运司机,在梦境中帮助同名的康巴杀手完成复仇的故事。梦是心灵的意象,是人物内心心理真实的体现,导演万玛才旦的电影创作也从关注藏区现世生活图景,转向刻画佛性观照下的人心本性,借由影片书写了一次内省之旅,完成了人物精神上的自我救赎。
Pema Tseden's new film Jinpa shows a totally opposite style to his previous films. It combines two short stories with each other as mirror stages. In an absurd and magical atmosphere, it tells the story of a driver who helps the same-name Kham killer complete his revenge in his dream. Dream is the image of the soul and the true reflection of the inner psychology of the character. Pema Tseden's film has also changed from paying attention to the present life of Tibet to depicting the human nature under the Buddhist care. Through the film, he has written a journey of introspection and completed the self-redemption of the character's spirit.
出处
《电影艺术》
CSSCI
北大核心
2019年第3期39-41,共3页
Film Art
